Institute of Contemporary Art Miami ICA Miami

Avery Singer Unity Bachelor

Reflecting the innovative tools employed in their production, Avery Singer’s iconic paintings are complex interpretations of contemporary social realities and technologies.

Carlos Alfonzo: Late Paintings

A companion to ICA Miami’s exhibition, “Carlos Alfonzo: Late Paintings,” this publication offers an expansive view of Alfonzo’s body of work.

Harold Mendez: and, perhaps, here, between

Working in photography, sculpture, sound, and installation, Mendez’s objects explore cultural memory, ritual, and transnational experiences.

Hugh Hayden: Boogey Men

This publication charts the artist’s development up to “Boogey Men,” his major 2021–22 exhibition at ICA Miami.

Fire Figure Fantasy: Selections from ICA Miami's Collection

Fire Figure Fantasy is ICA Miami’s first major publication to showcase its permanent collection, with a focus on recent acquisitions.

Lyle Ashton Harris: Ektachrome Archive

The hundreds of photographs that make up the “Ektachrome Archive,” shot at the end of the 1980s and in the early 1990s, entwine the personal and the political, the adventures of an artist coming of age in a newly globalized world and the emergence of a trailblazing generation of Black intellectuals and cultural producers asking new and deeply critical questions about race, gender, and empire.

Dalton Gata: The Way We'll Be

This publication explores the artist’s work over the last decade, in which the artist has experimented across mediums to create arrestingly surreal, psychological, mythical, and expressive images. Gata’s dynamic, symbolically rich environments inventively repurpose queer and popular culture.

Robert Grosvenor

Carlos Sandoval de León

In his sculptures and layered installations, Carlos Sandoval de León (b. 1975, Sabinas Hidalgo, Nuevo León, Mexico) explores the poetics of material culture, drawing out the concealed labor and socioeconomic dimensions of care embedded in everyday objects.

Guadalupe Maravilla: Portals

Employing sculpture, drawing, wearables, site-specific murals, and performance, the work of Guadalupe Maravilla (b. 1976, San Salvador, El Salvador) sheds light on the collective anxieties that stem from the ongoing political and humanitarian crisis at the United States-Mexico border.

Robert Gober: 1978–2000

Eric-Paul Riege: Hólǫ́—it xistz

Agustín Fernández: Armaduras

Manuel Solano: I Don’t Wanna Wait For Our Lives To Be Over

Purvis Young: Drawings

William N. Copley: The Coffin They Carry You Off In

Diamond Stingily: Life In My Pocket

Walter Darby Bannard 1959–1962

Senga Nengudi

Edward and Nancy Kienholz

Tomm El-Saieh

Hélio Oiticica: Bólides

Avery Singer Unity Bachelor

Reflecting the innovative tools employed in their production, Avery Singer’s iconic paintings are complex interpretations of contemporary social realities and technologies.

Carlos Alfonzo: Late Paintings

A companion to ICA Miami’s exhibition, “Carlos Alfonzo: Late Paintings,” this publication offers an expansive view of Alfonzo’s body of work.

Betye Saar: Serious Moonlight

This publication celebrates Saar’s standing as a visionary artist, storyteller, and mythmaker, and speaks to the ongoing significance of her work to the most pressing issues today.

Chakaia Booker: The Observance

Illuminating more than three decades of Booker’s practice, the publication explores her signature form—monumental works made of rubber—while showcasing her innovations across mediums including photography, painting, and prints.

Janiva Ellis: Rats

Rats is published on the occasion of the first solo museum exhibition at ICA Miami for American artist Janiva Ellis, whose paintings use formal themes of speed and transformation to explore fractured states of personal and cultural perception.

Tomás Esson: The GOAT

Published on the occasion of the artist's first solo museum presentation at ICA Miami, “Tomás Esson: The GOAT” surveys major series of work spanning his thirty-year studio practice.

Allan McCollum: Works Since 1969

"Allan McCollum: Works Since 1969" traces the artist’s career through numerous illustrations, supplementary material, and texts, focusing on three key components—early work, “regional projects” and the artist’s most iconic series.

Paulo Nazareth: Melee

"Paulo Nazareth: Melee" documents a series of commissions that consider an alternative political history of Latin America, emphasizing its marginalized protagonists.

Sterling Ruby

Accompanying artist Sterling Ruby’s first U.S. museum survey, this publication takes a thematic approach to the artist’s output, focusing on his critical invocation of imagery related to the American identity.

Ettore Sottsass and the Social Factory

Including newly commissioned essays by curators and scholars, “Ettore Sottsass and the Social Factory” explores how the artist’s work and philosophy presaged the dawn of PCs, the service industry, and the gig economy.

Larry Bell: Time Machines

“Larry Bell: Time Machines” comprises a major survey of the artist’s career, from his early Cube series to his large-scale color-glass installations.

Sondra Perry, Typhoon Coming On

Published on the occasion of the exhibition "Sondra Perry: Typhoon coming on" at the Serpentine Galleries and later exhibited at ICA Miami, this book examines the artist’s innovative use of video, media, installation and performance.

Terry Adkins: Infinity Is Always Less Than One

"Terry Adkins: Infinity Is Always Less Than One" accompanies the first institutional posthumous exhibition of Adkins’s sculptural production.

Donald Judd: Paintings

"Donald Judd: Paintings" focuses on one of the renowned artist's first mature series of work, during an intense period when he was significantly moving away from accepted traditional styles through investigations of form and color.

The Everywhere Studio

"The Everywhere Studio" traces the evolution of the artist’s studio, as a physical site and a concept, from the 1960s to the present day.

Thomas Bayrle: One Day On Success Street

“One Day on Success Street” traces German Pop artist Thomas Bayrleʼs exploration of the profoundly complex impact of technology on humans and their environments.

John Miller: I Stand, I Fall

“I Stand, I Fall,” a survey of the work of John Miller, is published on the occasion of the first US museum exhibition dedicated to the influential conceptual artist.

Ryan Sullivan: Sprayed Paintings

The first full-scale monograph on the work of New York-based artist Ryan Sullivan, this book explores the relationships his abstract paintings propose between image and object.

Shannon Ebner: A Public Character

Shannon Ebner’s work is an extended mediation of language that often takes the form of photography.