Reserve your copy of ICA Miami's latest publications and exhibition catalogues.
Featuring a suite of new paintings created over the past year, Rats is published on the occasion of the first solo museum exhibition at ICA Miami for American artist Janiva Ellis, whose paintings use formal themes of speed and transformation to explore fractured states of personal and cultural perception.
With texts by Sampada Aranke, Edwidge Danticat, and Stephanie Seidel, an interview with the artist by Leah Ollman, this monograph provides a novel look at the renowned artist’s critical and influential practice. This publication celebrates Saar’s standing as a visionary artist, storyteller, and mythmaker, and speaks to the ongoing significance of her work to the most pressing issues today.
Ground floor monographic publications are afforably priced at $10 each.
In his sculptures and layered installations, Carlos Sandoval de León (b. 1975, Sabinas Hidalgo, Nuevo León, Mexico) explores the poetics of material culture, drawing out the concealed labor and socioeconomic dimensions of care embedded in everyday objects.
Employing sculpture, drawing, wearables, site-specific murals, and performance, the work of Guadalupe Maravilla (b. 1976, San Salvador, El Salvador) sheds light on the collective anxieties that stem from the ongoing political and humanitarian crisis at the United States-Mexico border.
Browse ICA Miami's selection of major exhibition catalogues below.
Published on the occasion of the artist's first solo museum presentation at ICA Miami, “Tomás Esson: The GOAT” surveys major series of work spanning his thirty-year studio practice.
"Allan McCollum: Works Since 1969" traces the artist’s career through numerous illustrations, supplementary material, and texts, focusing on three key components—early work, “regional projects” and the artist’s most iconic series.
"Paulo Nazareth: Melee" documents a series of commissions that consider an alternative political history of Latin America, emphasizing its marginalized protagonists.
Accompanying artist Sterling Ruby’s first U.S. museum survey, this publication takes a thematic approach to the artist’s output, focusing on his critical invocation of imagery related to the American identity.
Including newly commissioned essays by curators and scholars, “Ettore Sottsass and the Social Factory” explores how the artist’s work and philosophy presaged the dawn of PCs, the service industry, and the gig economy.
“Larry Bell: Time Machines” comprises a major survey of the artist’s career, from his early Cube series to his large-scale color-glass installations.
Published on the occasion of the exhibition "Sondra Perry: Typhoon coming on" at the Serpentine Galleries and later exhibited at ICA Miami, this book examines the artist’s innovative use of video, media, installation and performance.
"Terry Adkins: Infinity Is Always Less Than One" accompanies the first institutional posthumous exhibition of Adkins’s sculptural production.
"Donald Judd: Paintings" focuses on one of the renowned artist's first mature series of work, during an intense period when he was significantly moving away from accepted traditional styles through investigations of form and color.
"The Everywhere Studio" traces the evolution of the artist’s studio, as a physical site and a concept, from the 1960s to the present day.
“One Day on Success Street” traces German Pop artist Thomas Bayrleʼs exploration of the profoundly complex impact of technology on humans and their environments.
“I Stand, I Fall,” a survey of the work of John Miller, is published on the occasion of the first US museum exhibition dedicated to the influential conceptual artist.
The first full-scale monograph on the work of New York-based artist Ryan Sullivan, this book explores the relationships his abstract paintings propose between image and object.
Shannon Ebner’s work is an extended mediation of language that often takes the form of photography.