Composed of found footage of James Brown, aerial photography, and streets lined with palm trees, Sable Elyse Smith’s xxxxx UNTITLED sketch no. 3000 (2021) is a complex meditation on the repertoire of image-making possibilities and the post-cinematic visual tropes that have emerged over the last few years
Watch ICA Miami's newest Digital Commission, …what endures … (2021), a non-binary, interfaith travelogue set amidst the landscapes of the Greater Everglades by the Reverend Houston Cypress.
Minia Biabiany’s Learning from The White Birds (2021) shares an intimate perspective on the landscapes of the French Caribbean island of Guadeloupe and the Dominican Republic.
Dara Friedman’s new digital commission, The Crowning (2021), explores the ancient and ever-renewed form of the spiral through moving images, layering, color, and sound.
As part of the Knight Foundation Art + Research Center’s continued dialogue on climate and cultural production, the summer 2021 semester will consider the oceanic world’s temporal and historical underpinnings, foregrounding often marginalized ways of knowing.
ICA Miami presents a comprehensive survey for Chakaia Booker, an artist whose iconic works have been under-recognized for their formal vitality and their contributions to American art.
Featuring new works created over the past year, “Rats” is the first solo museum exhibition for the American artist Janiva Ellis, whose paintings use formal themes of speed and transformation to explore fractured states of personal and cultural perception.
"Dalton Gata: The Way We'll Be" sees the artist exploring personal experiences, queer and popular culture, and psychological and mythical symbols in his first museum exhibition.
Julien’s Vagabondia (2000) is a double-projection installation exploring how structures of power and domination impact historical narratives in museums.
