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Eric-Paul Riege at Institute of Contemporary Art, Miami (ICA Miami)

Eric-Paul Riege: Hólǫ́—it xistz

“Hólǫ́—it xistz” marks the first solo museum project for Eric-Paul Riege. Working across media, with an emphasis on woven sculpture, wearable art, and durational performance, Riege explores the worldview fostered by Diné, or Navajo, philosophy and its bearing on everyday… →

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Paulo Nazareth: Melee

ICA Miami presents “Melee,” the first solo US museum exhibition for Paulo Nazareth. An artist who works across mediums, Nazareth uses performance and sculpture—monumental and ephemeral—to critique the colonial experience in Brazil and the Americas. His durational performances… →

OPEN MAY 16, 2019

Robert Grosvenor

Using commonplace materials, monumental scale, and poetic form, Robert Grosvenor (b. 1937, New York) has produced some of the most radically unique sculptures of the postwar period. His works maintains a rich historical dialogue with Minimalism while transcending some of… →

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Manuel Solano: The Fitting

Mexico City-based artist Manuel Solano explores how language articulates the complexity of gender, and how masculinity, identity, and fashion form the foundation for a new video work, Masculina (2018), produced with support from ICA Miami. →

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Eric-Paul Riege: Carrying Each Other Up The Mountain

Diné (Navajo) artist Eric-Paul Riege prepares for his first solo museum project at ICA Miami by carrying a woven sculpture up the side of a mountain and honoring the sanctity of the land. →

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First Fridays at ICA Miami

ICA Miami celebrates GROWN (winner of the Project Greenlight Digital Studio competition and the Complex Network’s first scripted series) by Miami filmmakers Joshua Jean-Baptiste, Maria Corina Ramirez, and Edson Jean. The series follows the misadventures… →

Still from the film La hora de los hornos (The Hour of the Furnaces), 1968

“The Hour of the Furnaces” (1968) Film Screening by Frita’s Autonomous Cinema

Activating Yona Friedman’s Space-Chain-Phantasy-Miami (2019) as a makeshift movie house, Frita’s Autonomous Cinema—spearheaded by Orlando ‘Filio’ Gálvez and Otari Oliva Buadze—will screen The Hour of Furnaces (1968). A paradigmatic experiment in revolutionary activist cinema, The Hour… →

The Distance is Nowhere performed by Paul Maheke and Sophie Mallett at Galleria d'Arte Moderna di Palermo

Paul Maheke: The Distance is Nowhere

For ICA Performs, Paul Maheke presents The Distance is Nowhere, a performance created in collaboration with artist and filmmaker Sophie Mallett in 2018. Combining sound, text, and movement, The Distance is Nowhere explores transitional spaces, using water as a… →

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