Today, growing concerns with climate change, energy scarcity, security, and economic collapse have turned the focus of urban planners, investors, and governments towards “infrastructure” as a site of value production and potential salvation from a world consistently defined by catastrophes and “crises”. From discussions about “disaster capitalism” to the embrace of a world after humans, the idea that some environmental, economic, or security catastrophe has arrived, or will arrive, is almost unquestioned. In response, there has emerged a new paradigm of high technology infrastructure development obsessed with “smart” or “ubiquitous” infrastructures. Such “smartness” must be understood as quite specific as it directly refers to computationally and digitally managed systems—from electrical grids to building management systems—that can learn, and in theory adapt, through analyzing data about themselves. Whether threatened by terrorism, sub-prime mortgages, energy shortages, or hurricanes, the response is surprisingly similar.
- Mon, Apr 17, 20176:30 pm to 8:30 pm
- Tue, Apr 18, 20176:30 pm to 8:30 pm
- Wed, Apr 19, 20176:30 pm to 8:30 pm
Orit Halpern is a Strategic Hire in Interactive Design and Theory and an Associate Professor in the Department of Sociology and Anthropology at Concordia University, Montréal. Halpern is also a co-director of the Speculative Life Research Lab a design research cluster at the intersection of art and the life sciences, architecture and design, and computational media that is part of the Milieux, Institute for Technology, Art and Culture. Halpern’s work bridges the histories of science, computing, and cybernetics with design and art practice. Her most recent book Beautiful Data: A History of Vision and Reason since 1945 (Duke Press 2015) is a genealogy of interactivity and our contemporary obsessions with “big” data and data visualization. She is currently working on two books. The first, titled The Smart Mandate, is a history and theory of “smartness”, environment, and ubiquitous computing and the second is about speculative design practices and politics. She has also published and created works for a variety of venues including The Journal of Visual Culture, Public Culture, Configurations, C-theory, and ZKM in Karlsruhe, Germany.