Jonathan Beller: "From the World Computer to Post-Capitalist Economic Media?" | Institute of Contemporary Art, Miami Skip to content

Jonathan Beller: “From the World Computer to Post-Capitalist Economic Media?”

ICA Miami welcomes media theorist and scholar Jonathan Beller to the Knight Foundation Art + Research Center for a free public lecture titled, “From the World Computer to Post-Capitalist Economic Media?” This lecture was presented in conjunction with the Fall 2020 semester, “Recodings and Renewals.”

From Beller: “The colonization of expressivity and semiotics by capital converts nearly everything we can say or do into value for media platforms cybernetically interfaced with our brains. From the art world to social media, qualitative values (even those of protest and dissent) are stripped of their content and converted into capital that is accumulated hierarchically and that reinforces regimes of property founded on dispossession and genocide. Deterritorialized factories (that is media companies) convert the horizontal expression of values into the hierarchical accumulation of value such that, as has been said, it is easier to imagine the end of the world than to imagine the end of capitalism. This talk tries to change that dynamic by proposing that cryptocurrency should be understood as the historical emergence of a new medium. If crypto is like photography in 1845 or cinema in 1898, we need to wonder what can anti-racist, feminist, socialist, and communist movements do with it?”

Jonathan Beller is a Professor of Humanities and Media Studies and co-founder of the Graduate Program in Media Studies at Pratt Institute. His books include The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle (Dartmouth UP, 2006); Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-Media System (Ateneo de Manila UP, 2006); The Message is Murder: Substrates of Computational Capital (Pluto Press, 2017) and The World Computer: Derivative Conditions of Racial Capitalism (Duke UP, 2021). He is a member of the Social Text editorial collective.