
Semesters

Fall Semester 2023: Global Conceptual Art
Oct 10 – 25, 2023
As part of ICA-Miami’s survey exhibition of American artist Charles Gaines (Charles Gaines 1992-2022), a preeminent figure in conceptual art, this fall’s Art + Research Center seminar series focuses on Global Conceptual Art from various geographies and points of origin. By beginning with the ways in which conceptual art critiques the institutionalization of art in museums and in market economies, this program will generate a series of critical dialogues on how these critiques vary across global contexts, taking into account local conditions and political stakes. Bringing together scholars of art and history who focus on various centers and beginnings of conceptual art as well as artist perspectives, this program will consider what a global study of conceptual art may offer, how various conceptual artists subvert institutional hegemonies and what ideas emerge from bringing together various political and historical moments in time.
Graciela Carnevale (Argentinean, b. 1942), “Acción del encierro. Ciclo de Arte Experimental. Rosario. Argentina, Octubre, 1968” (“Lock-up action. Experimental art cycle. Rosario. Argentina, October 1968”), 1968 (detail). Sixteen black and white photographs. Fifteen sheets, 3 9/16 × 5 1/2 in. (9 × 14 cm) each; one sheet, 6 ⅞ × 9 7/16 in. (17.5 × 24 cm). Courtesy of Archivo Graciela Carnevale. Artwork © the artist. Photos: Carlos Militello

Fall Semester 2023: Global Conceptual Art
Oct 10 – 25, 2023
As part of ICA-Miami’s survey exhibition of American artist Charles Gaines (Charles Gaines 1992-2022), a preeminent figure in conceptual art, this fall’s Art + Research Center seminar series focuses on Global Conceptual Art from various geographies and points of origin. By beginning with the ways in which conceptual art critiques the institutionalization of art in museums and in market economies, this program will generate a series of critical dialogues on how these critiques vary across global contexts, taking into account local conditions and political stakes. Bringing together scholars of art and history who focus on various centers and beginnings of conceptual art as well as artist perspectives, this program will consider what a global study of conceptual art may offer, how various conceptual artists subvert institutional hegemonies and what ideas emerge from bringing together various political and historical moments in time.
Graciela Carnevale (Argentinean, b. 1942), “Acción del encierro. Ciclo de Arte Experimental. Rosario. Argentina, Octubre, 1968” (“Lock-up action. Experimental art cycle. Rosario. Argentina, October 1968”), 1968 (detail). Sixteen black and white photographs. Fifteen sheets, 3 9/16 × 5 1/2 in. (9 × 14 cm) each; one sheet, 6 ⅞ × 9 7/16 in. (17.5 × 24 cm). Courtesy of Archivo Graciela Carnevale. Artwork © the artist. Photos: Carlos Militello
Past


Spring Semester 2023: The Arts of Haiti

Fall Semester 2022: Ecologies of War

Summer Intensive 2022

Spring Semester 2022: Transoceanic Relations

Fall Semester 2021: Oceanic Archives

Climate and Culture Summer Intensive 2021

Spring Semester 2021: Animating Archives

Fall Semester 2020

Summer Intensive 2020

Fall Semester 2019: The Black Hemisphere

Summer Intensive 2019

Spring Semester 2019

Fall Semester 2018

Summer Intensive 2018

Spring Semester 2018

Fall Semester 2017: Relay Subjectivities

Summer Intensive 2017

Spring Semester 2017

Pilot Semester: New Social Abstractions
