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Ahmed Morsi
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Inside the Media Landscapes of Sam McKinniss
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Sketches from life: Jared McGriff
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Postcards for places you can’t visit: Emma Webster, landscapes, and VR
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We Are Just Flowers: Daniel Gibson, Painting, and Migration
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Hugh Hayden: Skeletons in the Swamp
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Dalton Gata: The Way We’ll Be
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Damian Ortega: The Importance of Alias Editorial
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Larry Bell on inspiration, preparation, and practice
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Reginald O’Neal
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Manuel Solano visits the Mercado de San Juan
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Tomás Esson: The Line is the Protagonist
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The Rituals of Carlos Sandoval de León
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Eric-Paul Riege: The Gifts You’ve Been Given
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Guadalupe Maravilla: Crossing Borders Through Art
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Paulo Nazareth: When People Become Products
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Guadalupe Maravilla: A Spiritual Practice
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Manuel Solano: Becoming Masculina
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Eric-Paul Riege: Carrying Each Other Up The Mountain
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Larry Bell on Glass
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Judy Chicago’s Advice to Artists
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Larry Bell: The Black Room
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Walter Darby Bannard: What Are You Seeing?
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Judy Chicago: Making a Purple Poem for Miami
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Jacolby Satterwhite: An Epistemology of Terry Adkins
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Merele Adkins: Terry Adkins on Art, Music, and Potential Disclosure
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Manuel Solano: Art from experience
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Donald Judd: Paintings and Perspectives from ICA Miami
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Diamond Stingily: The joy and beauty in Blackness
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Talks and Lectures
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Donald Judd: Paintings
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Diamond Stingily builds a better Double Dutch rope
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Charles Gaines on Terry Adkins
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Frank Stella on Walter Darby Bannard
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Matthew Angelo Harrison on “wrong history,” distance, and objective identity
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My Hamtramck: Matthew Angelo Harrison and authenticity
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“The Everywhere Studio” Trailer
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Shared Space: John Miller “I Stand, I Fall”
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Woven Worlds: Thomas Bayrle builds a Madonna
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George Segal and the language of our bodies
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Painting by Numbers: Charles Gaines and the seriality of painting
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Jump In: Senga Nengudi on interaction, culture, materials
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ICA Ideas: Guccivuitton Commercial
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